主演:费尔南多·雷依 Paul Frankeur 德菲因·塞里格 布鲁·欧吉尔 让-皮埃尔·卡塞尔 米歇尔·皮寇利 Fernando Rey 费尔南多·雷伊
导演:路易斯·布努埃尔
简介:朋友们来到大使拉法尔(费尔南多•雷依 Fernando Rey 饰)家中做客,但是他们记错了晚餐的时间。毫无准备的拉法尔夫人(德菲因•塞里格 Delphine Seyrig 饰)对此深表遗憾,但是大家谈兴正浓,于是在外面聚餐。然而在酒店里,大家却见证了店员为店主守灵的一幕,遂悻悻离去。他们走在乡间的小径上,阴云密布的天空中,阵风吹起了麦浪,他们也开始分享失约的奇遇……塞内夏尔(让-皮埃尔•卡塞尔 Jean-Pierre Cassel 饰)去大使馆拜访拉法尔,但是却目睹了他用射击的方式驱赶女恐怖分子的一幕;拉法尔在家中又遇到了这个意欲行刺的女人,还好他巧妙地化解了危情;其他人到弗洛伦斯(布鲁•欧吉尔 Bulle Ogier 饰)家做客,但是男女主人却躲在后花园偷情。只剩下女仆伊勒斯招待各位宾朋,众人觉得无聊作鸟兽散;女眷们在酒吧里谈天说地,但是突然闯来一个名叫哈伯特的装甲部队上尉,对她们讲述悲惨的童年回忆……
导演:雅克·里维特
简介:InthisunrealwalkthroughthestreetsofParis,Marie(BulleOgier),awomanconvictedofrobbingabankisjustoutfromprisonwhensherunsintoBaptiste(PascaleOgier)ayoungparanoidneedingpanionship,andthetwoteamupforawhile.Marie#39;sformerboyfriend(PierreClementi)suppliesthemwithastrangemapofthecity,suspiciousbecausehekeepsfilesonpoliticalfiguresthatmaybesomehowlinkedtothemap.Agangsternicknamedquot;Maxquot;beginstotrackMarieandthealreadyparanoidBaptiste,causingMarietoexaminethemapasthoughitheldthecluetowhichsidesofthecitywerequot;safequot;andwhichwerenot.AsthetwowomenattempttooutsmartMaxandunknowngangsters,theytrytofigureoutthemap-ataskmadeallthemoredifficultbyBaptiste#39;stendencytoviolentrushesofadrenalineandMarie#39;soverworkedimagination(adragonattheNorthBridgeisathreatuntilBaptistescreamshimdown).Betweenthedragonandtheirowndemons,MarieandBaptistefacefrighteningoddsagainstingoutofthismisadventureintact.~EleanorMannikka,Rovi
主演:费尔南多·雷伊 保罗·弗朗克尔 德菲因·塞里格 布鲁·欧吉尔
导演:路易斯·布努埃尔
简介:剧情简介:客人们来到塞内夏尔家参加晚宴,却发现晚宴要在明晚才举行。他们只好去一家小酒馆,但计划再次受挫,因为小酒馆正在为他们刚去世的店主守灵。另一次聚餐也由于塞内夏尔夫妇偷偷从家里溜出去亲热而临时取消;来客们却误以为警察要发动袭击,赶紧溜之大吉。接下来的一次晚宴也被迫中断,因为拉练的部队出人意料地出现在塞内夏尔公馆。甚至噩梦也为他们要举办晚宴这一受挫的努力提供佐料:他们兴致勃勃入席,却莫名其妙发现身边的帷幕突然拉起,他们成了坐在舞台上用餐的表演者。还有一次,陆军上校当着唐·拉斐尔大使的面污辱了所谓的米兰达共和国,险些酿成外交灾祸,当然更不必提那晚的聚餐了。就这样,影片中的六个人物(包括塞内夏尔夫妇、唐·拉斐尔大使)不断地坐下来用餐,却总是出现意想不到的障碍,使他们吃不成。
导演:爱德华多·德格雷戈里奥
简介:埃里克(CorinRedgrave)是一位小说家,他的想象力异常强大。在法国乡村探索一座破败的豪宅,寻找他的故事的网站时,他遇到了一个穿着另一个衣服的女孩。回到现场后,他遇到了一位现代女性,她说自己可能遇到了鬼魂。他对这种看似不可能的情况着迷.
主演:布鲁·欧吉尔 帕斯卡·欧吉尔 皮埃尔·克里蒙地 让-弗朗索瓦·斯泰弗南
导演:雅克·里维特
简介:在巴黎街头的虚幻漫步中,Marie(Bulle Ogier饰)是一名因抢劫银行而被定罪的女人,她刚从监狱里出来,就遇到了需要陪伴的年轻偏执狂Baptiste(Pascale Ogier饰),两人合作了一段时间。玛丽的前男友(Pierre Clementi饰)向他们提供了一张奇怪的城市地图,这令人怀疑,因为他保留了可能与地图有某种联系的政治人物档案。一个绰号为“Max”的歹徒开始跟踪Marie和已经偏执的Baptiste,导致Marie检查地图,好像它掌握了城市的哪些侧面是“安全的”,哪些不是。当两个女人试图智胜Max和不知名的黑帮时,她们试图弄清楚地图 - 由于Baptiste倾向于剧烈刺激肾上腺素和Marie过度劳累的想象力(北桥上的一条龙是一个威胁,直到Baptiste尖叫他下来),这项任务变得更加困难。在龙和他们自己的恶魔之间,Marie和Baptiste面临着可怕的困难,无法完好无损地从这场不幸中走出来。〜Eleanor Mannikka, Rovi
主演:朱丽叶·贝尔托 布鲁·欧吉尔 Jean Babilée Hermine Karagheuz Nicole Garcia
导演:雅克·里维特
简介:Rivette is relatively precise in his dealings with meaning. He is the most atavistically ceremonious of the Vague, in the sense that his abstraction as a journey leading inwards is always attended by signs and codas that affirm our passage. The transcendent rite of passage, in more ways than one, is about the symbolic enactment that paves the way. The transcendence itself is left to our sphere of experience, but we're at least brought to the doorstep. Oh, there's the improvisational flow that seems to throw people off, that things seem to be randomly bubbling up from nothing without significant plan or substance. The chance encounters in a world that we may recognize, the geography vaguely familiar whose nature is yet ultimately insoluble. There's a lot of that here. As in Celine, it is the breathing space that conducts our preparation to step beyond the mechanisms of reason. We don't reason with it, rather trust its intuitive flow. Like the dream world, it is only the figment of the known world spontaneously arisen as a stage or blank slate for the atavistic portents and divinations of the subconscious mind to be writ. But the rite of passage matters, in spite of the seemingly aimless wandering. Here it is about human effort to bypass the 'wall of paradise' constituted by the coincidence of apparent opposites (good and evil, light and dark, being and non-being). A barrier that obscures vision and traps in a world of names and forms that is only an apparent reality. Rendered in the film as twin goddesses of sun and moon, vying for a precious stone that enables their descend into the human world. The human characters are mere pawns to their schemes; to be seduced, tricked, threatened, or ultimately destroyed. Twin femme fatales, weaving spells in an inverse noir universe magnified into a macrocosmic struggle. The ill-prepared man who chances to steal a glimpse of them in their true form, like in the myth of Actaion who steals upon the Greek goddess Artemis bathing naked in a pool, has his consciousness shattered by the revelation. His mirrored image (the soul, the reflected half) is cracked. The woman who finally shatters the illusionary duality that quarantines human consciousness into meaningless dilemmas, does so by a sacrifice of blood. And this is the problem of the film. So much of it is a stridently symbolic enactment, a matter of ceremony. The sacrifice is, quite literally, a matter of spilling blood upon the symbolic stone and does not flow from anything - it is simply the schematic end of the spiritual myth. Although valuable as insight, the meaning of the film is trapped inside the rituals performed to signify it. Having cracked the outer shell to absorb it, the film seizes to resonate.
主演:朱丽叶·贝尔托 布鲁·欧吉尔 Jean Babilée Hermine Karagheuz Nicole Garcia
导演:雅克·里维特
简介:Rivette is relatively precise in his dealings with meaning. He is the most atavistically ceremonious of the Vague, in the sense that his abstraction as a journey leading inwards is always attended by signs and codas that affirm our passage. The transcendent rite of passage, in more ways than one, is about the symbolic enactment that paves the way. The transcendence itself is left to our sphere of experience, but we're at least brought to the doorstep. Oh, there's the improvisational flow that seems to throw people off, that things seem to be randomly bubbling up from nothing without significant plan or substance. The chance encounters in a world that we may recognize, the geography vaguely familiar whose nature is yet ultimately insoluble. There's a lot of that here. As in Celine, it is the breathing space that conducts our preparation to step beyond the mechanisms of reason. We don't reason with it, rather trust its intuitive flow. Like the dream world, it is only the figment of the known world spontaneously arisen as a stage or blank slate for the atavistic portents and divinations of the subconscious mind to be writ. But the rite of passage matters, in spite of the seemingly aimless wandering. Here it is about human effort to bypass the 'wall of paradise' constituted by the coincidence of apparent opposites (good and evil, light and dark, being and non-being). A barrier that obscures vision and traps in a world of names and forms that is only an apparent reality. Rendered in the film as twin goddesses of sun and moon, vying for a precious stone that enables their descend into the human world. The human characters are mere pawns to their schemes; to be seduced, tricked, threatened, or ultimately destroyed. Twin femme fatales, weaving spells in an inverse noir universe magnified into a macrocosmic struggle. The ill-prepared man who chances to steal a glimpse of them in their true form, like in the myth of Actaion who steals upon the Greek goddess Artemis bathing naked in a pool, has his consciousness shattered by the revelation. His mirrored image (the soul, the reflected half) is cracked. The woman who finally shatters the illusionary duality that quarantines human consciousness into meaningless dilemmas, does so by a sacrifice of blood. And this is the problem of the film. So much of it is a stridently symbolic enactment, a matter of ceremony. The sacrifice is, quite literally, a matter of spilling blood upon the symbolic stone and does not flow from anything - it is simply the schematic end of the spiritual myth. Although valuable as insight, the meaning of the film is trapped inside the rituals performed to signify it. Having cracked the outer shell to absorb it, the film seizes to resonate.
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